IPL clash gets bigger as Bollywood enters the picture

Finally, the big Bollywood is ready to face off with the IPL. A slew of exciting movies by prominent production houses, with an estimated Rs 175-200 crore riding on them, will be released between April 4 and May 27 when the IPL's fifth edition takes place.

The big and medium budget movies slated for release during this period include Sajid Nadiadwala's " Housefull 2", Priyadarshan's " Tezz" starring Ajay Devgan, Mukesh Bhatt's "Jannat 2", Vikram Bhatt's 3D film "Dangerous Ishhq", Yash Raj Films's "Ishaqzaade" and Viacom 18 Motion Picture's action-thriller "Department". Besides, some small-budget films will also hit theaters the same time.

Trade analyst Komal Nahta says that while the IPL was a novel concept in the first few years, now the feeling is that the real excitement is only during the last few days of the finals. "Hence, filmmakers are confident of releasing their films during this period," says Nahta.

Moreover, the film industry has grown confident in the last two years with quite a few movies crossing the Rs 100 crore mark, says Rakesh Jariwala of Ernst & Young's entertainment division. In fact, Bollywood now believes it can even use the IPL as a platform to market its films, he adds.

During the first three IPL seasons, multiplex capacity utilization dipped. The event was dubbed as "a black window" where few big distributors dared release their films. Some exhibitors, in fact, preferred to project the IPL games rather than show a movie. The tide turned with IPL 4 when the T20 league's TAM ratings showed a dip. Last year, over 20 films were released during the period, including low-budget hits like "Stanley Ka Dabba".

Producer-director Mahesh Bhatt says, "We locked horns with IPL 1 with the release of Jannat in 2008. There's no change now as Jannat 2 releases as per schedule. Let's see who entertains better."

Will TV do anything for TRPs?

Social activist and fashion designer Shaina NC writes an open letter to TV channels about the kind of programming these days

"The latest season of the reality show Bigg Boss now has an adult entertainment star as one of its contestants. This entry has quite expectedly confused the viewers, especially since the last entrant into the house was a social activist who sought to provide solace to the 'emotionally disturbed' inmates. To me, it seems that broadcast media would go to any extent to garner TRPs, even if that entails confusing the daylights out of an unsuspecting audience.

The entry of the adult entertainment star on the reality show has obviously elicited polarised opinions. There is one popular belief that this is a huge step towards maturity of the audiences and indeed of the Government that has sought to determine forever what is 'wholesome' for the audiences. A larger group believes that an adult entertainment star on a show broadcast during primetime is downright sacrilegious. Their viewpoint is predicated on the assumption that children constitute a significant proportion of primetime audience, and thus their impressionable minds would be susceptible to inappropriate content. This part of the population conveniently forgets that all content is available at the click of a button on the Internet. However, there's more to the issue.

In this country, cinema (and television, in the past decade or so) has traditionally determined many aspects of popular culture. For decades, it's widely believed that cinema and TV mirror reality and set up the debate on elements of social and cultural transformation. Regressive content, especially related to women issues, has been the general hallmark of programming. This has obviously distorted, quite severely, our attitudes towards sex and intimacy, and nourished our penchant for objectification of women. While this is a worldwide phenomenon, the problem seems more acute in this country.

My objection to the so-called 'progressive' step taken by the channel is a simple premise. One, it enhances the problem of objectification of women, especially in our socio-cultural context where perceived superiority of men and other such antiquated notions have created a climate of extreme insecurity for women. Such beliefs and practices are causing more harassment to women, and incidents of crimes against women are going through the roof. Two, my firm belief is that introducing controversial people on the reality show is a mere attempt to drive up the ratings of the programme. There's a near-perfect positive correlation between programme ratings and advertising revenues. Is the channel even attempting to catalyse a transformation of long-held regressive attitudes and beliefs? I think not. While private channels are justified in taking calls that benefit their business, it's unfortunate that they don't realize their power to trigger off changes in the larger society. Catering to the voyeuristic tendencies of a sex-starved male audience blessed with distorted mindsets, can hardly be termed as responsible business practices.